Friday, October 1, 2010

Subject of Abstract Art

Image of Paintings and Abstract art
                                                              

abstract art is one without a recognisable subject, one which doesn't relate to anything external or try to"look like" something. Instead the colour and form (and often the materials and support) are the subject of the abstract painting. It's completely non-objective ornon -representational. A furtherdistinction tends to be made between abstract art which is geometric, such as the work of Mondrian,and abstract art that is more fluid (and where the apparent spontaneity often belies careful planning and execution), such as the abstract art of Kandinsky or Pollock. Also generally classified with abstract art are figurative abstractions and paintings which represent things that aren't visual, such an emotion, sound, or spiritual experience. Figurative abstractions are abstractions or simplifications of reality, where detail is eliminated from recognisable objects leaving only the essence or some degree of recognisable form.

In Western art history, the break from the notion that a painting had to represent something happened in the early 20th century. Impressionism, Fauvism, Cubism and other art movements of the time all contributed by breaking the "rules" of art followed since The Renaissance. Impressionism saw painters not "finishing" their paintings. The Fauvists used colour in a non-realistic way. Cubism introduced the idea of painting an object from more than one view point. From all of these the idea developed that colour, line, form, and texture could be the "subject" of the painting.



Abstract Expressionism, which emerged in the 1940s, applied the principles of Expressionism to abstract painting. The action painting of Jackson Pollock, in which paint was dripped, dropped, smeared,
spattered, or thrown on the canvas, is a good example. In 1864 the critic Ernest Chesneau wrote that if the trend the Impressionists were setting continued, paintings would eventually consist of nothing but "two broadly brushed areas of colour". What would he have thought of the art being produced 100 years later? Abstract art is a style of painting a departure from reality and was definitely modern at the time. Abstraction in paintings started to make the scene right around the same time modern art became known because it is a painting style classified in the modern art movement. But full blown abstract

paintings really started appearing early 1900's in Europe by the likes of Pablo Picasso and others in the cubism movement. Abstract art really was not created in America until the 1940's in the abstract expressionism movement with Jackson Pollock at the helm. Because abstract art is a style of painting and not a classification of an art period, abstract paintings are still being created today.

And that brings us to right now. Right now we use the term "contemporary" to define artwork as being created in our lifetime or in the current present moment. So any paintings being created right now are contemporary paintings no matter what the style. What has happened is that people generally use"contemporary art" to describe artwork from the 1970's until now. It is hard, if not near impossible to define a period while we are living in it. One might wonder, will we always use the word "contemporary" to describe the artwork being created in the present moment? Or will there be an end to the use of th word "contemporary" signifying an end of another artwork period very similarly to how "modern" was used. I don't know. But in any case, I hope this information has helped and not confused you even more.

Sunday, September 26, 2010

whitewater explosion,

Explosion of whitewater

The man had climbed over protective bars seve ral feet further back from the edge in his pursuit of the ultimate wake-up call and was fortunate to survive as the area was engulfed by water. Right across New South Wales, coastline was battered by similar waves ramped up by 50mph winds. Sydney Harbour was turned into a no-go zone for ferries after the Australian Bureau of Meteorology issued warnings of impending gales for most of the coast.





Specialist marine forecasting and surf camera service Coastalwatch said a rare weather event and the closeness of the low pressure system was the reason for the ocean’s violence. pic 3 Water/ ‘We had something called ‘captured fetch’ happen and it’s pretty rare here,’ chief forecaster Ben McCartney said. Waves are created when wind blows over the a certain area of the seas. This is called the fetch. A ‘captured fetch’ happens when a storm moves in the same direction of a fetch so that the wind keeps pushing the same waves following them. We’ve all splashed water over our face in a bid to wake up in the morning. But one Australian man has taken it to the extreme.Standing perilously close to the edge of a rock face, the fearless individual stood head-on with Mother Nature as she threw giant whitewater waves over Ben Buckler headland North Bondi Beach in Sydney yesterday.




Hopetoun Falls, Australia

Located five kilometres east of Beech Forest, Victoria, Australia Hopetoun Falls.The falls have a large set of well-built and maintained stairs that lead down a natural patio to a villu patafo very close to the foot of the waterfall. Hopetoun Falls plunges 30 m in a rectangular shape.

Traditional Boats of Bangladesh

Bangladesh Traditional Boats








Bangladesh Traditional Boats


Exhibition on ‘Traditional Boats of Bangladesh’ to be held at the Bangladesh National Museum, Nalinikanta Bhattashali Gallery from 23rd March to 19th April 2010.
The exhibition showcases several life size boats, over 50 different types of traditional model boats, which are handcrafted maintaining every single feature and detail of each type of boat, and depicts the daily lives of the traditional boat builders.


The exhibition is a part of Friendship’s Cultural Preservation Programe, which strives to conserve the heritage of traditional boat building in Bangladesh. We arrange exhibitions nationally and internationally to create awareness of this age-old tradition, build model boats using the same craftsmen and ancient technologies used to build the full-scale vessels, and our research and development section focuses on documenting techniques of building different types of boats and explores innovations in the sector. Our ultimate goal is to establish the first ‘Living Museum on the Boats of Bengal’ in the country.